All Before The Storm That Wakes
OVERTURE
Here you go
A ballad, a ballroom
Something about a twenty year old becoming a forty year old
And then a forty year old becoming a twenty year old
Something about tyrants and the tiresome
And buccaneers and brigadiers
And mobsters and moonmen
And phoney captains
And Nancy and Avogadro
Beer drinkers
Over thinkers
And Igor and Miranda
For Craig and Louise
For Maya
For Jaydn
For Murph
For Cliff
And for Nancy
Or something like that
The Tangled Dream
There in amongst the dusty settlers
Who at dark, march to the brewery
Four of them wait outside
Taking off all of their jewellery
It all lands in the same bucket
And all because of the same gun
That points down at the collars
White, blue, orange or crimson
It’s the revolver of the coward
That really turns the tale
And tips the tide to zero
Preventing all who sail
If ever then at new year’s
The tally will reach its peak
And the lottery will produce tickets
Double the regular week
Because everyone knows they’re able
To win beyond the regular rate
Even though everyone thinks
There’s just one person they can date
And all in all
The wind will bring
Lovely little roads that tangle everyone
Merely to travel and sing
Forever under the weather
Where the clouds are clogged with snow
And all the silent flinchers
Tie together the sky like bows
Only lasting for a moment
While the onlookers form a thought
They’re all just in awe, each mumbling
‘What ever have we bought?’
That’s really the sort of thing
Old men try to explain
But ultimately what they’re trying to say is
We’re all under the same rain
Toward the muddied tourniquet
Out beneath a beaten palm
The medic sneezes for a second
And is blessed by his patient in arms
Wiping away from his brows and lips
All the dust and the glue
He pulls out a soggy cigarette, which he lights
With a strike to the bottom of his shoe
The flame lasted a moment
Though it burnt really like a sun
Its warmth too fleeting to be recycled
Hardly weighing a trillion tons
written 14/6/25
That Is When
All is able to form in tired pits
Where caves speak though hardly spit
The words and aching riddled tides
That roll beneath the soil and rocks and rides
The ancient breeze, still concealed though never trapped
Where inside the foraged mind the ores can still be tapped
I try to not speak so much when moods are foul
But seeing as the foul mind speaks when tattered like the handy towel
It speaks in some ways worthy
And it speaks what it means to be worthy
I find the frozen ache of the moaning mind foul
So too the taunting, forested mind, obscured, is just foul
Whenever the breathing, talking-allowing, breathing, willing
Components of my structure ever-willing
That is when
That is now
The cables loose though still strapped
Enable to be free
The now or never-be’s
That you may never see
All beneath soil and rock
All along the flowing with the clock
Time’s template is exempt of you
Speak, now or never true
That is when
written 11/6/25
The Pillars Of Being Ruthless
Name one reason to reinstate
Christmas quiet and sandpaper traits
And corpse, carnivalistic soap-opera fates
To ensure bevelled and scratchy crates
For transit, though once stored for special dates
To alleviate the often noble-useless
Yes, he who used it, he holds it still
Holding his hammer, dropping his iron will
Staring into the tank he fills
Bleeding in the time he kills
Breathing slower in migrant thrills
He’d pay extra to be clueless
Where’s the bird who sings the song
I hear the song but where’s it from
It speaks from the sky but the voice is wrong
I wait, I wait, again is too long
So I border on what’s curved along
The pillars of being ruthless
written ?/9/25
Funny Little Locks
I met you on a freight train
The carriages kept curving ‘round the bend
I didn’t think there was a fix for that
But for you they did quickly send
An artist with a spanner
Who talks of bells and clocks
Fishing wire timing
And funny little locks
All around the train line
You stood there so real
And I never got to thank you for it
And now I’m too tired to heal
Do you remember the picnic?
The one without the plates?
You argued with a salesman
Who wouldn’t discuss his rates
And the fibred grass did wrestle
With a blanket far too old
And you got up to perform some magic
Pulling the rug from under when it got too cold
I like to remember you like that
Holding the flowing breeze
I love the way you smiled
Like magic could be performed with ease
I write to you on occasion
Still, as I think you should know
But as I’m unsure of how much time is left
Perhaps you’d better go
written 19/6/25
Twenty
Immolate the first sacred fear
Hijack on rotted deck to implant your ached feet while ya’ steer
Frame that old brigadier in between his waters, disorders and autumn’s clear
His fiery moons and white suns
That all cling together to hum
Peering that same direction so numb
All you gotta’ do is get his attention
Second on Sunday, but third you quit
Across the parent’s fabric by the cousins who knit
Stapled is a tag that folds a bit
Where it’s printed “those who you find, those who are it
Must apologise or retire before they sit”
Is read to you tomorrow before you’ve found
A semblance in patterns, themes and sounds
Unable to prosper, too foolish to mention
Attorneys weather like a stormy debate
Fixed sanding the nozzle that reaches the plate
If only they strangled the heart, the engine’s traits
Then perhaps all that’s delayed was never too late
Instead we prolong the juror’s wage, checkmate
Ensure we lure from the stage the same old mage
Who says “frankly, I prefer people my own age”
As their knees buckle inward, ignoring a dimension
Remain unseen
I guess
Though you can still dream
Martyr once, cut plenty
You’re barely even twenty
written 3/5/25
Ode To Igor
Neighbours call
They say they care
Caution falls
My guard it stares
For weeks and rain
And oceans and tops
For stores and pain
Where he doesn’t know
Over out on over
Where about on holiday snow
Trail silver, while the loner
Sneaks with pebbled feet
Waiting for a draw
Avoiding who you meet
Presumably on her accord
While secretly damning
Silently circling
The cannons are manning
When the station is hurdling
To a stratosphere maze
Soft cue the curls
Transcendant malaise
Smile for her pearls
Making her reach for
The corner you weep
The sailor named Igor
Crouched on a steep
Eroded wooden stair
Barnacles cut deep
Lightning blares
The night is found
Here it is, finally
The shadow unbound
written 5/5/25
Winter’s Belt
Of forest capers
Turned to paper
Recycled now
Burned later
Chimney doors
That warm the halls
Exit cosmic dust
Never to return
But in the hour
Up until and before
Screams eternity
Like a private whisper
“Be now or long gone
For ice approaches and now is warm”
This message relays
And cycles between storms
Under winter’s belt
Is tucked what we once felt
Remember this moment
Else it be tucked there, too
Be free if hungry
Or sad or wrathful
Be now if anything
Yesterday or tomorrow are surely never at all
written 24/5/25
The Face of The Harbour
The frost under Naples’ clouds
Where silent now was once so loud
And the vines which were only air
Now they reach into brick and tear
Laced to the face of the harbour
Where the rods and the bait they garner
Out farther than used water insists
Yet the clouded rise persists
To the crash of barnacle stone
The wave greets but leaves you alone
But its counselling moon will so soon
Inspire it forth from its celestial room
If the wood is flesh
Then what exactly is death
If not becoming a beam or a bridge?
written 25/4/25
Love’s South
It gets into your heart and stings
The silent sort of lust
Eternal in bringing sharp rings
That corrode the mind to dust
To water the leaning flowers
Folding in the wind
Will not return the floral hours
Instead, by tending, you’ve sinned
Long must last the flame
That erupted you to now
Though the heart is not to blame
Nor your mind for repeating ‘how?’
You could say the gold is poison
As branches curl and break
But you’ll end up avoiding
All that which is now awake
Walk as an ant in battered crater
Around the shattered shells
Toward what you might applaud later
Flinching, if you must, at tolling bells
But never toward love’s south
To rescind is to disrespect
The light leading to cave’s mouth
But if still to dwell, just expect
The essence of tomorrow
Is what yesterday ever meant
written 28/5/25
May-Day
The stream descends
The dreams of when
With you I laughed and sang
Toward water’s fall
Floats just about all
The flower chimes that rang
And over is tipped
To be tumbled and chipped
The fire in our sun
And soon to be frayed
In a sudden dismay
Our heartbeat on the run
To turnover and writhe
While stone needles hide
The thoughts you had of me
Wrestled deep
Down craters steep
Is the you that set me free
Though my heart will one day show
Beached and through sea and sand will it glow
Where perhaps it rests and melts
Does it now seem dimmer
Or less likely to glimmer
Softly calling for someone else
written 28/5/25
On Spirited Away
“It’s not to say that no others smile,
But to yours, none are complete.
I won’t say others have no eyes,
But in yours I see the universe so sweet.
And who am I to need kisses and hugs
From one who heals when our hands meet?
Aren’t I just too lucky
To hear the harmony of your speak?”
Perhaps
But
To see a magic beyond your mind
As an evening walk by soft light
The applause from the fading sun and moon
Beam upon you into my sight
On flower’s cruise in and out the blades
Of grassy fixtures entwining the glades
In our arms we sit, so warmly we lay
We’d live unnoticed to any rains
To be with the very force
Which in me ignites a sun
Would stagger half-hearted
Yet it’s the world that runs
And so our days together, young or old
May burn bright before they ever fade
But in their eyes and flower soul
Great dreams and stories are forged to be made
written 22/5/25
Gated
The cable nations slide while I
Weary, dazed, unholy, mystified
Who was angry, though I cried
Must somehow yield a false pride
That says “I hereby testify
These truths are nothing, here are lies”
Letting me walk under foreign sky
But, see, now I just feel dated
A sifted sort of sound from hell
Worries you for a minute though all ends well
As you know, from what you can tell
Play by rules and hear a bell
Wander the graveyard and notice no smell
Only flowers overlooking the dell
With your funeral shades you mistook the fell
And saw some kind of sanctuary, gated
Though elated to see no rot
Is what’s around you really what you’ve got?
It’s understated but still caught
That none will define what’s nought or fought
written 25/4/25
The Mist and Creatures
I like this position
Where I see the courthouse sleep
And day shines through the prisons
Gentle silence grows and weeps
As the walking winds sweep and start
Playing with the gravel
And the little grass hands that stand atop
The mounds of higher turf
Where Connolly sees his home
In that mound where dirt meets surf
I’ll go as often as I know
Through valley paved in ice
Until its very bricks pack with snow
And the snap of clenching burg beneath
Where the frozen lake keeps
The mist and creatures
Who give glow-looks and creeps
Where light rests but deeper
Yes, I’ll still peek my head in
For the forest on the plains
The glades, where in the streets,
Between the green that blades
Give passage to the ones that
Search and feel, connect to the surface
To heal not reveal
Who feel with palms to flowers
Who really could do this for hours
Who need not begin
As it’s never over
written 12/6/25
Frangipani Discourse
Frangipani discourse
Over complimentary lanes
Frolicking against time
And laughing at old pain
And a smile meets you
As you look up or aside
Sealed and wrapped in grass
Both bathing under sky
But neither dares to ask the other,
‘Why?’
And no one will say to the other,
‘Goodbye’
And as wind or cloud intervenes you wonder
You see in them a thoughtful ponder
Becoming a sad sort of frown
Forever condemning this street and town
Return here not, unless it’s your aim
To lie restless in the tiring game
written ?/3/25
Pendulum Mandate
Were I to meet you and it were sunny
I’d greet you proudly and you’d find that funny
But still my stomach sits
In its pit is a corpse of tangled wits
Unrelenting to never admit
The fits and tender bits
You welcomed once before when days were honey
Though I’m stuck here to anticipate
The madness to be soon, I do not wait
As the reason coils
Proving to foil
Love’s spoils
That tends to oil
And glide me outer ways, here, there, to pendulum mandate
Saying that my tumbling rescinds after mind’s rinse
Is not to test or poke, hardly even to convince
The evening shapes
Sought to escape
The beating mind that tapes
The flailing ape
Who misstepped into steel mistaking blossom providence
Hardly does what’s certain fall
When in amongst you who curtains all
But how reality twists
In spite of those who insist
That nothing’s truly missed
But isolation, true, enlists
Fog’s plain to restrain lust’s domain to an allocation so small
written 22/5/25
A Banshee Pattern
A banshee pattern
The ragged neighbour
Rescued, curfewed
Found in long labour
Beneath your spiritual guidelines
And the actuality you prescribe
Is a ragged neighbour
Falsely inscribed
And here he waits for the gallows
Where what’s shallow howls
And further just waits
And uses fewer vowels
Sanity’s reach can bestow
The greater loss
Of Desolation Row
Else you know
Here he is now
Did you work for that?
That’s why you did everything?
I believe you.
written unknown (i wanna say September? but i also don’t even care at all, do you?)
They Weren’t Good Fellas
The corner side treatment
For rats and mobsters
Who dishonestly earn and burn
For crafty cats and lobsters
Frankie 7 legs had two
Mitchell had just one
And Donnie in the wheelchair
Well, he just had none
And that’s just how it went
They weren’t good fellas
They were quite rude
And seldom carried umbrellas
Perhaps the sky was the exception
That couldn’t get special treatment
To bust a cloud’s kneecaps
That’d be an achievement
One day Donnie wheeled
Around a tight bend
Frankie nosed his mind in
To check the tyre pressure of his friend
“92 PSI, by god, Donnie, you’re hot on gas!”
Donnie just rolled away
Mitchell (still hopping in)
Said “I told you that yesterday”
“It’s too much pressure
We can’t take that”
“Yeah, Donnie, it’s too much heat”
“I believe you” Donnie said
Rolling passed sirens on the street
written 29/5/25
Bates of Beden
Sapped beneath the favourite old willow
Where the bedsheets cover over the pillow
Denying breach of snake
And the eardrum hides
From those who testified
That you are, in truth, awake
I find that harmony is under too much stress
Far better to endure the noise
Old pianos sit and rattle
Like older, slower, decaying cattle
There in the shadows of the farm
And the man in tweed
Says there is no need
To do them any harm
So I stay asleep and dream so deep
But I’m restless when I escape
Two-bit counters afford the strip
As the gamblers ride back in and dip
Their toes into a wishing well
And though on their heels
They bleed and steal
No one will let them in to hell
And thats just cus’ no one’s free
Except to have the freedom to lie
written 7/6/25
Cliff
Ned Kelly used to hide in place called Glenrowan
Or something like that
His face is on every building and pub and store in the town
His face is on all three buildings
We walked into the pub with Ned Kelly’s face on it
We met the only other two people in the town
We met the bartender
And we met Cliff
Before he spoke to us Cliff paid for a game of pool
Cliff then asked us to play a game of pool
Cliff didn’t care that we’d never really played before
Cliff said either “you know?” or “type a’ thing” every four words
Cliff would start and stop laughing 3 times whenever he made a joke
Cliff put a lot of chalk on his cue
Cliff asked us where we’d come from
Cliff told us where he came from
Cliff sunk three balls on his first turn
I told Cliff I was going to try hit that ball but I wasn’t sure if I could
Cliff said “that’s okay”
I accidentally put my beer on a coaster that had Cliff’s chewing gum on it
When I picked up the beer the coaster was stuck to the bottom
I pulled it off
He saw what happened but he didn’t say anything
Cliff told us he was a butcher
Cliff was a butcher from ages 15 to 65
Cliff ran his own butcher for 25 years, too
We asked Cliff what he thought of supermarkets
Cliff said “egh, yeah, you know”
We said it’d be hard to compete with those prices
Cliff said it wasn’t the prices
Cliff said it was how long you took to get your meat
Cliff said he would never serve anyone without chatting with them for a few minutes
Cliff said at a supermarket you’d never even see who cut your meat
Cliff said supermarkets were factories
Cliff said he’d never become a factory
Cliff said he’d retire first
Cliff retired first
We asked him if was happier
Cliff said he doesn’t have to think about meat anymore but he could still do it if he needed
We said it’s good you don’t have to think about it anymore
Cliff looked sad and repeated to us that he could still do it
Cliff went and ordered two beers for himself and asked for them takeaway
Cliff told me he didn’t want a slice of my pizza
Cliff then mentioned he had only eaten wasabi peas that day
Cliff took his two cans of beer to his truck where his bed was
We walked out with Cliff and saw his surfboard on his roof
We said you should try putting it in the water
He said “I gotta fix this first” and then slapped his large belly
Glenrowan is the place where Cliff hid out in at one point
Or something like that
Thank you for the game, Cliff
written 19/10/25
Captain Bravery Is A Phoney!
Of the cotton mind
Pulled, coiled then flattened, left behind
Dated, dainted until you find
In some other place, a different time
Perhaps what was worse is over
Remind yourself to walk and breathe
Rest the shoulder whose bag you heave
Take it and retreat until you weave
But really you let the poison seethe
A drink or two would make you sober
Restless power, broken fits
A seared heart and yet you exist
Still commanding shrinking wrists
Keeping away from fits and lists
Yet you insist you wish you’d never known her
Bravery is so cruel
When your cowardice has its rule
It’d be nice if a harmless dispute
Didn’t feel like dying
Rolling in a new brown suit
Short trimmed, branded a new recruit
Forces new answers, some in mute
Beg to find a new commute
So the walls are greyer while you find her
When skies pollute, gratitude quits first
Then goes your smell, your tell but not your thirst
Isolate on your own accord but what’s worse
Is now you’ve lost your supply and your nurse
The ‘stache that fit the misfit but couldn’t kiss her
Save on your wage by eating less
Save on your friends by an oath to never confess
Work on day, in morning undressed
Waiting, frantically, still without patience, for somethin’ to suggest
Something, something, something to figure
Oh, I doubt
You’ll see this drought
Drown in this time or out
Kneel in the shower to feel like you’re crying
written 5/5/25
The Silent Prosper
I’ve thought a lot this week
About those that sought or seek
The cabinets that knock or creak
The door knobs that trick or treat
And the fixin’ they do and the mixin’
Couldn’t it be so construed
That their business is so rude
That them standing upsets my sitting mood
And violates the chairs to which I’m glued
Over again remarking instead of parking
I’m extending this to inventiveness
Attending the prolonging mess
Honestly proving by noble confess
Resuming on through without digress
It’s not soothing it’s glooming
To stop and sit doesn’t mean to quit
To step aside isn’t to be overcome by it
Romping and riding won’t itself keep you fit
Though slowly decays your nerves and wit
Caution those who’ve lost the silent prosper
written unknown
The Ballad Of Nancy and Avogadro (of Wayward Shire)
Across the witch’s divide
Out tearing the valley of old,
Far before the ticks of frost
Burned to ensnare peace with cold.
And though eyes of the night
Would wake from silent sleep,
They rested between rocks and seared wood
Down ‘neath the bridge, ‘till deep.
Nancy of The Wayward Shire
Journeyed now alone.
For once without Avogadro, who was by her side
Constantly, as it’s well known.
They were the bestest of best friends
And for very many days,
But for whatever reason,
Between them grew a haze.
See, Avogadro met Nancy long ago
by Rosemary’s Saloon.
They were doin’ some drinking
And popping full balloons.
She liked the way he flinched
Before each time they were pricked.
Right there and then his sincerity,
With her, it just clicked.
Even though between them
You’d be hard pressed to count an inch,
Rarely were they earnest
And honest only in a pinch.
They’ve been everywhere, you know,
And battled plenty nasty folk,
But suddenly, there in amongst them,
A strange fire burned when they spoke.
Simply enough, they stopped talking
And that was all that was wrote.
Word of the ragged witch, Ragashee,
Had Nancy up and on her boat.
But all through the flippant seas,
Nancy would be glancing behind,
Until she reached Saurel Harbour,
Where it all seemed to slip her mind.
Passing the dock’ards and lagoonists
Who smelled and rinsed in odour,
Nancy made haste for Ragashee’s trail
So that winter would soon be over.
Though something back behind her,
Perhaps in some part of her mind,
Told her she’d brought her own winter
And not of the Ragashee kind.
Anyhow, Nancy of Wayward Shire
Approached a rickety bridge.
Back and forth it swayed
And it creaked just a smidge.
Carefully she stepped and tread
Though with no sense of danger,
When, without her stepping,
She heard the howl of a familiar stranger.
A shrieking snap of wood
Followed the howling sound
Of frantic breathing and slapping,
While Nancy turned around.
Under the bridge dangled Avogadro,
Late, but just in time,
Nancy footworked across to her friend
Whose frightened face began to mime.
Avogadro stared to behind Nancy,
With a great big, gasping frown
As there stood mighty Ragashee
Donning her charred crown.
‘AHHHHHHH!’ ripped Avogadro
While Nancy pulled him to safety.
Without paying Ragashee mind,
She said, “Where’ve you been lately?”
“Well, away from you” said Avogadro
“But since then on my way
Just to say sorry, but also,
All the other things I wanna say.”
“Like what?” Gasped Nancy,
Ragashee stepping onward.
“Like I love you or whatever
But I know It’s just so awkward.”
“Well at what time do you call this?”
“I don’t know, you asked.”
“I guess I did, but
I think that time has passed.”
“What do you mean?”
“I’m not sure. Let me think.”
There was a silence for a while.
Even Ragashee stopped
At the end of that sentence.
She stood dark against the mountains
As if there merely to witness
The friends flicking between each other’s eyes.
Could it be seconds passing or many a week?
Well, right when Avogadro began to fold,
Nancy of Wayward Shire started to speak.
“But here, right now
on this bridge so broken,
Somehow we still stand together.
You found me and no words were spoken.”
“Yes, but I should have been here all along.”
“But I didn’t ask for you to be.
No words were spoken.”
“I’m sorry.”
“Don’t be sorry, I believe you.”
“Believe what?”
“That you love me.”
“You do?”
“Yeah, no words were spoken.”
“I think I understand.”
“Me too, but just a second.
Why have you stopped?”
Asked Nancy to Ragashee,
Who floated in the black mist
Far too quiet and patiently.
Ragashee looked to Nancy but
Her eyes weren’t as horrible as you’d think,
Then the witch gave a warm smile
Followed by a soft blink.
That’s when Ragashee just faded away
Or so the stories have said.
Cus’ the only ones that could recount it
Went back to looking in each others’ eyes instead.
written on 31/5/25
All Before The Storm That Wakes
All before the storm that wakes
Where once too brave for shifting plates
The outer shore now raises stakes
And it’s offered onto until it relates
The story of the fighter saints
That marched long beneath us
And for every lonely night
Twisted dream of solo fright
Rests a way, a tempered might
Willing to turn against in spite
The haunting that acts to slight
Not that which wants but must
So in the gust of sorry fables
Rests the now and then that’s able
To risk and fear and bring to the table
All that keeps from storm that’s stable
All that glows in warmth and maple
Never without but sometimes lost between you
Meadow’s whisper brings to health
We know of the sun and its nightly stealth
Other stars, too, of the outer self
That collect the hazy, forgotten wealth
So keep in your heart and no where else
All that you wish to see through
written 1/6/25
Pink and The Peach
Of certain spots I know and cherish
Uncertain rots until they perish
As for seemly treats of tired rest
I keep within it like some form of test
I know that neatness is given
And it makes sense to give what is given
I only wish for this now to be
To be and be, to always be
Because, yes because, I know well now
Just how well the future howls
I hear it, yes, distant but heard
And no, I cannot hear its saying, not a word
Though there it cries and makes it known
I now see where time’s winds have blown
And for all the distant days out of direction
All the misery too painful to mention
It pits me pink and the peach
To have sight on tomorrow though out of reach
And shavings old will hardly do
The windings, pencil shavings cutting through
Tomorrow’s fabric and even casting
Warmth on yesterday’s gloom, everlasting
I know and feel the flare
And though weary, one must no longer beware
Here it is
Now
written 22/6/25
Do You?
Could the solo sunner see
The vision plain to be
Where idle fire met
And the ladies stayed inside and slept
While configurations of the machine
Cast the stench of a fishy scheme
Wherein the trainer finds his stuff
And any extras are his because what’s his isn’t enough
Though when is it
And does anyone remember to visit
Those they really love and miss
They think forever they glow in abyss
But that’s alright, I call on their birthdays
And anyway we’ll soon run out of things to say
And I have
missions to inform
And Lunches to keep
Vowels to speak
Vows to keep
Plans to sleep
When under the table
Is all you are able
And when the tower’s frown
Casts the shadow far down
Well, do you?
written 14/6/25
Sleeper
Don’t you wonder where the streets go?
I find comfort in pretending
Before I let the heat throw
Focus on mending
Myself
Bed time
Good night
Tired
So tired
What a week
Damn
Is this still a poem?
Fuck you
I reckon so
Tomorrow, where the streets go
written at midnight on 24/5/25
On Goodbyes
Is there such a thing as ‘goodbye’
If you’re devout to your old lies?
When lovers kiss but also sigh
Or after a storm’s raze, you ask ‘why
Must the sky cower and be so shy?’
What can something be after terrific?
Do the shades of canvas blur if too specific?
Might tales lustful burn horrific
Or could boatmen cleverly mimic
Swimming pool lanes so systemic over raging Pacific?
Goodbyes are fiction because you’re still here
Still I see and greet you though you’re not near
Even turning away you still steer
Hanging course, hovering over the deck at the rear
I listen to the poltergeist sneer
Glowing over the decaying veneer
Of this old buccaneer
Now incapable of fear
I could say farewell like I have a thousand times
But there’s too many words and less rhymes
Only a fool climbs ladders of spines
Sprouting goodbyes while his heart is too aligned
With you whose eyes
Make shallow seem the skies
written 28/4/25
Two-Pond Double Palm
Through pondered-on palms
Off again sharp leaves
Where the shoreline harms
And the sandcastles bleed
That’s where I find the free
Over bomb city
On the nine o’clock number
That’s where it ain’t pretty
You’re watching rehearsed slumber
So that the ladies let you be
Fruit snacks in your bed
Open a packet of flies
Change your sheets instead
And by being one who tries
You then can see
The painted beach sigil
That causes bored climbers to mime
Makes your skin wriggle
To the thrashing of time
Shouting over me
And the lousy lover’s lagoon
That I can’t believe
Cause it’s over so soon
Whose story could ever weave
Into another’s with such ease?
written 22/6/25
Rest In Lieu (Miranda Edition)
Off and on the Sunday paper
Spiralling like some new dawn
And all in all the cards are kept
Where the barrels on the guns are sawn
Miranda keeps another mattress
Underneath her bed
It’s smaller than her other one
She naps on it instead
How did she know to do that
Tapping on the trees?
How did she poke nature
Instead of bringing it to its knees?
All along the foundry
Melted metal in soup
All the tyrants play cards
While they sit and recoup
Neighbours are equal
But still… we still know
Just how much smaller their house is
And how much more their lilies are to grow
Oh yes I’m really tired now
Before it was only a joke
But now I try stay up doing whatever I can
And being all different kinds of folk
written 24/6/25
Bacon of Hope
I want some beacon of hope
To save me from the day
That my bacon tastes like dish soap
And my soft tyres forget to sway
I’m hanging on
Oh, but for so long
Really, too long now
You made me jam on toast
Brought it to my bed
And though I didn’t crave it most
I drove home to fry eggs
I’m hanging on
Oh, for far too long
It’s been way too long
I met you a year ago
But you introduced yourself last night
I thought you were just focused
But you tremble full of fright
You’re hanging on
With so long to go
How was I supposed to know?
written unknown (but i reckon it was around June based on a meaningless intuition)
Beer or Something
The tempered tide of interstellar clouds
That drain the side of cellar crowds
Where uninvited the townsfolk howl
Sorting in shapes at tables with growls
Holding, chanting, bubbling in storm
Together through brown and leather and whiskey and rum
The men with sandpaper faces, bar none
Though with cups kept with always some
Tempest colours ignite multiple suns
Neuron storms where quasars run
And any talker who missteps
Never for a moment will regret
The listening ears in conversation’s quartet
Hold any attempt at speech important
They’ll always nod, at least
Despite the weekly earning’s rust
And they’re now spending next week’s crust
Life needs and need’s must
Alcoholic fusion on confusion’s cusp
All creatures cold and warm must feast
written 18/7/25
Third Time (Around)
Yes, third time through
Again and it’s new
Again it’s with you
I fall to your call
Your eyelids and all
When the talk is so small
But you favoured a moon man
With seventy scars
While I, I’m just a rover
Still heading for Mars
The scene outside is so old
It’s magma that’s cold
It yawns when it’s told
The sea raging in me
Builds catacombs and three
Islands of steel trees
Keeping the supermarket fire
Trapped behind a neon closed sign
And I’d open her up for all sorts
Of supplies if I could find time
I’m looking to the phone
You may as well own
It’s your little throne
You, you’re just somewhere else
Collecting shells
Or carrying bells
You’re on the other side of
The moon, whose man you’d love
And I, I’ve had enough, I’ve had it tough
Seeing now the sky from above
written 3/8/25
He Who Pokes His Own Bruise
It’s blue and blinding
and binded in yellow bolts with purple black
And her whisper that said
Darling come home
Darling I’m looking for you
Darling would you call me
It’s the candle brushed face
Her looking up from staring down
Her changing focus to me
The time it takes for her to realise
I’m already looking at her, silent and stunned
And she’ll say what and smile on one side of her face
And I’m looking at what but it’s still a silly question
Nothing
She looks back down and does what she does
The part of the song that she was humming in the car earlier comes on again
She hums it without noticing
It makes her happy
She’s done now so she looks up
Me, silent, stunned
What? She laughs
I can’t tell you
Oh
She won’t even ask why I can’t tell her
She stops laughing
I try to remember I’m tired and have a bed to go sleep in somewhere
Oh, she says again
But I can stay up I have nothing on
She smiles and hums the opening riff to the next song
It’s a rock song and she sounds nothing like it
I don’t like the song
Do you like this song? She asks finally
Yeah it’s nice
I really like the song
She puts down her hairbrush or sketchbook or phone
She looks to my eyes again
Stopping for a moment, no what
But eventually she asks what’s wrong
She tilts her head in a way that makes me tell her
You remember right? I say
Well yes
I wasn’t sure if you did, I say
I do
Well why did you do that? I say quickly
I don’t know I just do that with all my friends
Was it different? I beg
She says what again
Than holding the hand of a friend? I labour
I mean I guess, sort of
In a good way? I’m done for
I mean we hadn’t before
Would you again? Silent and stunned
If you get cold hands, sure
written 17/10/25
For Nancy
And on a table
There in the corner
Right under the tulips
Leaking over its border
Where sun furnishes
And borrows water
I think that’s where you hide
I’m not sure but that’s my guess
Under that little point of sunbeam
And wood beam, that happy mess
Of modern clatter and morning noise
That’s where I’ll look for you
Around the seam where melancholy ends
On that gate between the rest and you
That tulip tunnel where time mends
If it’s over, then that’s where it’ll begin
written in some other universe
For Maya
Cosy sorts of magic
Last you until the end
The freedom of the lovely
And the beauty of being her friend
In many ways simple
How else could it be?
In the largest forests
Easy grow the trees
But in their triumph
Mighty do they last
Friendships where since the beginning
Is the mission weaving another pass
I’m so glad I started
To her I owe it to all
You’re gonna love it!
Maya, you enthral
written 30/3/25
Talkin’ Telemachus Blues
Well I was gettin’ real bored lost at sea
Hopin’ for somethin to happen to me
When then came a tidal wave so excitin’
I guess I must have angered Poseidon
Thank goodness
Not sure what I did though
Musta’ been the car battery I threw into the Aegean
I awoke on some island early in the day
Met a funny lady who was hidin’ away
She asked if she could sing me a song
I asked if it’d take very long
She said it’d only take an eternity
I filled my ears with sand
Then she handed me an axe and some tools
It’s like she read my mind
I left her alone to sing and dance
Soon saw a forest and thought here’s my chance
To fashion a boat for to end this caper
But I realised the trees were mostly paper
“98% recycled”
I guess you can only do that so many times
2% adds up
I should give Theseus a call
Right then, as if to signify the dawn
There came blarin’ the loudest horn
Here’s thinkin’ this hill can’t get any steeper
When I run into a lighthouse keeper
It was Robert Pattinson
He was a lot older than me
He can taste his own medicine
About time things were reversed
Well he was nice enough to tug my paper boat
All the way to a brand new coast
Now I had never seen so much sand
I said to Rob “you call this land?
I think they call this the desert”
Poseidon’d have no pull around here, though
Paul might
Or David Lean
I saw an old lady playing a Game Boy game
I asked her name and if I could do the same
She said “sorry, it’s singleplayer
And you can call me Nausicaa”
Or was it Nausi-cah
Didn’t hear her real well
Still had sand in my ears
Well she took Rob and I to her Phaecian Castle
It was nice of her but a bit of a hassle
We met her entire family there
But none of them said nothin’, they didn’t care
They were all on their phones
On Instagram stories
Snapchat reels
TikTok marketplace
Good grief
So much for xenia
From that moment, I was through
I said “I ain’t got no stories to tell any of you!
I’ve met no Cyclopes or anything with 6 heads
I’ve spent half my life in bed!”
Although, I think most people do that
Yeah, you got me there
Well every few months I know what nothin’ means
I wake up on an island and snap outta’ my dreams
It’d sure be nice to stay somewhere a while
Not sure driftin’s really my style
Should find a home or somethin’
What can I say
Guess I’m just like my old man
Yippee!
written 24/11/25
EPILOGUE
Did somebody caution the phantom darer,
Who spoke too soon and too often to his carer,
Who tumbled and played tunes to all but the fairer,
And left being unable to recognise his new area?
Might the sea birds think
That folk who whistle and wink
And smile and blur and sink
That fuss over this shade of purple and that pink,
That maybe people now are human autumn
And focal points of chatter now are tomorrow’s boredom
That singing in rain is showering post-mortem
Or should they fly first from those that caught them?
The bird might say many things
Though it doesn’t
Perhaps it could but it hasn’t
We can’t know it won’t, else
We speak to the final bird
Who might say
You’re welcome.